This review was commissioned through Ko-fi. However, it bears no weight on the score or decision. All reviews are written from…
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Review: Psy’Aviah – Bittersweet (Bonus Version)
This review was commissioned through Ko-fi. However, it bears no weight on the score or decision. All reviews are written…
Review: Poison the Vicar – Affront
Poison the Vicar is the solo project of Brandon Gordon. Based in Shanghai, Gordon mixes industrial, EBM, darksynth, darkwave, and…
Review: Cucurbitophobia – Doomsday Clock
Cucurbitophobia is the solo project of Rob Benny whose usual sound design revolves around horror, Halloween, and general spooky soundtrack-esque…
Review: Holon – The Evolution Of Complexity
Being a massive fan of cyberpunk music, I often find myself staring at two mindsets within the genre. There are…
Review: Nightcrawler – Partners in Pain
While there is an overabundance of producers within the darksynth / cyberpunk genres at this moment (no doubt due to…
Review: Testube – Backwater
This review was commissioned through Ko-fi. However, it bears no weight on the score or decision. All reviews are written from…
Review: Impulse Control Disorder – You Can Be That Somebody
What’s impressive from the start about Impulse Control Disorder’s brand-new single ‘You can be that somebody’ is his spoken word…
Review: Carpenter Brut – LEATHER TERROR
Carpenter Brut has been a name synonymous with the darksynth and synthwave scenes for as long as I can remember…
Review: Night Terrors – Zenith
Night Terrors’ description on Discogs simply states “Band from Seattle, Washington”. Although that statement is factual, it doesn’t necessarily pique…
Review: Gasoline Invertebrate – Cracked Wax Battery
The amount of projects that Brian Graupner is involved in is astounding to say the very least. When he isn?’t…
Review: Tineidae – Mothership
In 2020 I was caught by storm when I encountered Tineidae?’s third album ?’Exo?’. Though he had a history with…